Nibiruans, divinity and the truth

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 Nibiruans, divinity and the truth

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PostSubject: Nibiruans, divinity and the truth   Fri Aug 16, 2013 4:11 am

"Nibiruans, divinity and the truth" is divided in sixteen interconnected chapters. We recommend you to start by parts 1 to 10.


1- The Core

2- Earth, Moon and Mars Connections

3- Clementine Moon Images Censored

4- Extraterrestrial Humans and Elongated Skulls

5- Humans "Creating" Humans ?

6- The Triple Connection: Middle East, Atacama and Moon

7- Pakal's Last Journey: The Mayan Connection

8- Orion's Belt: The Egyptian Connection

9- Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42

10- The Bottom Line


And we include six addendums with extra connections, cross-references and concepts related to the topic. Our team moves further into the scene, using perception.

[ Last update: 27-Jan-16 ]

A- Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)

B- Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System

C- "Kingdom in Heaven" x Interstellar Monarchy

D- One Last Lunar Reflection

E- The Final Journey

F- Orion and Beyond: Reminiscences


_________________________________________________


1- The Core

Orionians created homo sapiens by genetic manipulation of a preexisting species, 300,000 years ago...

At a given and intriguing moment, they left Earth so humans could evolve as species, as in the universe, cosmic evolution is related to species, not individuals...

Orionians are everywhere in the solar system, except the planet they allowed for the humankind...

There are extraterrestrial humans all over the solar system, descendants of the first homo sapiens, taken by Orionians to colonize and work in other planets...

These extraterrestrial humans are related to our concept of "angels", intermediaries between "Heaven and Earth", or Orionians (Gods) and humans...

Extraterrestrial humans, sent by Orionians, are who ancient cultures called "anunnakis"...

What till now we called "divinity" will be understood as "highest technology" one day...

Orionians are Gods of technology, they "cracked" death and reached virtual immortality by cloning and manipulating DNA structure, individual's conscience and past experiences...

The All-Seeing Eye of God is a symbol linked to our origins, referencing to the region below Orion's belt...

Jesus Christ, who was an extraterrestrial human, "the son of God", sent by Orionians, didn't "resurrect" after three days, he was cloned "on the run"...

Love can explain why Orionians left Earth for us, humans...

We are them, and they are us...

Relativity is the key to understanding why we humans currently must evolve as species without interactions from Orionians...

Once we add Orionians into our reality, we have to open our minds as much as possible, what means forgetting relativity, and drop in the full scene, as much as we can...

The concept of "soul" is related to an extract or essence of each human being, meaning individual's DNA and conscience...

The biblical concepts of "resurrection" and "eternal life" are based on the use of the highest genetic technology by Orionians...

The Celestial's statue on the Moon is faced by Earth for eternity...


"Our Father in heaven,
hallowed be your name.
Your kingdom come,
your will be done,
on Earth, as it is in heaven."


The human origins of the anunnakis, the first kings and pharaohs, have been evidenced by the historical registries of the ancient cultures, including the sumerian tablets...

The royal bloodlines, initiated by extraterrestrial humans,  in a time when kingship was handed down by Orionians, were gradually mixed with terrestrial human DNA, as it is evidenced by the Sumerian King List...

In the period from 453,600 BC to 21,767 BC, in Eridu, the reigns were exercised solely by Orionians, having an average duration of 28,523 years...

From the first dynasty of Kish, the reigns were exercised by extraterrestrial humans, with a much lower duration, between 762 and 228 years...

From the second dynasty of Uruk forward, the terrestrial human DNA became more important in the royal bloodlines, translated into an average duration of reign between 62 and 14 years...


The ideal concepts of unconditional love for our children, respect for each human being as precious and unique, respect for all forms of life and goodwill, are universal...

The apparent lack of participation of Orionians in our reality is in fact determined by our downgraded analysis abilities, as we have a hard time understanding the global picture(1)...

Orionians' appearance, as it may look terrifying for us humans, what's certainly relative, can be depicted from the great central statue at Reiner Gamma' area (USGS 299.52 8.45), on the Moon...







Despite all controversies about his origins, age at death and DNA tests results, maybe we could take Ata, the little being found in the Atacama desert, as close as currently possible from an  Orionian's appearance ?...


Ubaid clay head from the site of Tell el-Oueili, dated  to the early Ubaid period (around 5,800 BC); the artist that's created it emphasized the large oblique eyes, the "cone head" and the thin lower part of the face...


Ubaid statuettes (note the large oblique eyes and the "cone head" of both mother and baby) depicting a female Orionian as mammal, like us, and a male Orionian with the sexual organs positioned and appearing exactly like humans...


Ata was certainly a fetus, despite not being a "traditional" fetus, when he died; the umbilical cord can be easily noticed...



Two other characteristics of the head: left and right sides of the face form a very pronounced obtuse angle; the eyes extend obliquely across the face till the frontal limit of the head...


Orionians are mammals, with a reptilian appearance, derived primarily from the angled face and the oblique eyes...

Mammal-like reptiles were the prehistoric reptilian ancestors of mammals on Earth; this may point towards the concept of panspermia...

Cosmic evolution, in general terms, is only related to species...

Orionians granted to humans a "soul" when they allowed Earth for us, as the individualization of evolution, based on genetic technology...

Death by itself isn't the end, nor the beginning, it's just the inevitable middle part of the evolution process...

Earth is the mother planet for all humans,
Earth is the beginning...


(1) Thanks to pinealnanotravel for this concept.



2- Earth, Moon and Mars Connections

Click on the subject below to open the respective album on thales100.imgur.com. The  albums also contain all information concerning each image.


"PYRAMIDS" ALBUM

"CRUCIFIXION" ALBUM


"EXTRATERRESTRIAL HUMANS" ALBUM


"ANIMAL GEOGLYPHS" ALBUM


"CUNEIFORM (PROTO) WRITING: MESOPOTAMIA - SOUTH AMERICA - MOON" ALBUM

"THE CREATION OF HUMANS" ALBUM

 

The Creation of Humans - Earth

"(...)The Nefilim did not create the mammals or the primates or the hominids. "The Adam" of the Bible was not the genus Homo, but the being who is our ancestor - the first Homo sapiens. It is modern Man as we know him that the Nefilim created.
The key to understanding this crucial fact lies in the tale of a slumbering Enki, aroused to be informed that the gods had decided to form an adamu, and that it was his task to find the means. He replied:
"The creature whose name you uttered - IT EXISTS" and he added: "Bind upon it" - on the creature that already exists - "the image of the gods."
Here, then, is the answer to the puzzle: The Nefilim did not "create" Man out of nothing; rather, they took an existing creature and manipulated it, to "bind upon it" the "image of the gods."
Man is the product of evolution; but modern Man, Homo sapiens, is the product of the "gods." For, some time circa 300,000 years ago, the Nefilim took ape-man (Homo erectus) and implanted on him their own image and likeness(...)"

The Twelfth Planet, Zecharia Sitchin

The Creation of Humans - Moon
(~90Km x 50Km geoglyphs set)

Huge set of geoglyphs depicting the creation of homo sapiens by Orionians. It includes five different geoglyphs.
The depiction of a female ape, and her baby, is on the bottom of the set, being connected to the man, on the top of it, and the representation of the genetic manipulation, at the middle, by a long geoglyph depicting the double helix structure of the DNA.
There is a geoglyph positioned in front of the man, of an "anunnaki's" head ("THE ADMIRER"), looking at him.
The geoglyph of the DNA structure represents the evolution of homo sapiens, from an ape. The manipulation performed by Orionians of the DNA, is represented by the staff entwined by serpents that crosses the DNA structure, at the middle of it.
The result of the manipulation is the homo sapiens, being admired by the extraterrestrial human, as the geoglyph of his head was positioned exactly in front of him.
Please note how the geoglyphs were symmetrically arranged when composing this WONDERFUL set.
Check "THE CREATION OF HUMANS" ALBUM for all images and additional information.


- Click on the image to enlarge -



3- Clementine Moon Images Censored

As you can easily notice, the photos (Clementine) were partially censored. A blur mask (red) was vertically applied across the images, but only on some very specific parts (blue), meeting US Government current disclosure policy.


This fact becomes even more evident when you observe geoglyph sets, as the geoglyphs were symmetrically arranged, the blur masks follow notably the exact same path.



Anyway this is the only chance we would not be stuck to LROC 100% manipulated images, so a big THANKS to US Gov. (NASA and USGS).



4- Extraterrestrial Humans and Elongated Skulls

"The Admirer" (part of "The Creation of Humans" geoglyphs set, please check above in part 2- "Earth, Moon and Mars Connections") depicts an extraterrestrial human, with an elongated skull.
He shows in this fantastic geoglyphs set his origins from homo sapiens (that we can call H1).
H1 experienced the two original major genetic manipulations by Orionians, the creators of humans: the first resulted in the creation by itself, from a preexisting species (ape-man); the second manipulation gave to humans the ability to reproduce.
Extraterrestrial humans (H2) experienced other genetic manipulations, including as result an extra cranial capacity when compared to H1s.
The elongated skull characteristic of H2s has been registered by ancient cultures. This human characteristic on Earth was gradually eliminated as the H1 DNA became more important in the H2 bloodlines. H1 tried to "emulate" it artificially, as we also know, by changing skull's shape, and not cranial capacity, of course.


"ELONGATED SKULLS" ALBUM




5- Humans "Creating" Humans ?

We got an email from Germany asking if extraterrestrial humans couldn't be the real creators of humans, what means following a more "orthodox" understanding, approaching to Sitchin's theory of the anunnakis.
Well let's use our discernment and intelligence:

1- An advanced alien race, guess who, humans, or "just like" human beings, arrives on a distant unknown planet and, after some time, decides to genetically manipulate a preexisting native species of this planet (ape-man), to create a primitive worker.

2- As the result of this manipulation, they get.... human beings just like themselves!

Humans were only created at the moment that Orionians genetically manipulated ape-man.
Our creators are not humans.
Following this line of reasoning, we could check an interesting area at "Mare Fecunditatis", on the Moon.

- Click on the image to enlarge -



Near the geoglyph we called "The Dog", there are two huge humanoid statues.


Let's take a closer look at the statue on the left...


And darken a bit the image.


Zooming in a bit...


And a bit more...


This fantastic statue (USGS 51.51 -19.3) depicts an extraterrestrial human, that we called H2, with the typical elongated skull, and not the "cone head", characteristic of Orionians.



6- The Triple Connection: Middle East, Atacama and Moon

The evidences are now taken to the next level. From the "cone head, coffee bean eyed" figurines of neolithic Middle East, we establish a groundbreaking connection with humans creators' appearance on the Moon, making clear why the Ubaid clay head, shown in part 1- "The Core",  is the key to understanding the origin of all these figurines.
Then, from the Atacama desert geoglyphs, a magnificent new connection is established with the Moon, showing that Ata, the little being found mummified in the Atacama, is actually inserted in a full comprehensive context.
Finally, the triple connection: traces of the extraterrestrial human presence on Earth, from Ubaid period and Atacama, are connected together and directly to the Moon.  


____________

Reiner Gamma's area on the Moon, once again the phenomenal statue depicting the Orionian King. The enormous structure where this statue is located is inlaid perpendicularly into the Moon, what means that it faces the space, not Moon's surface (compare it to Reiner Gamma's "bright duct" and the four-sided structure at its end).

- Click on the image to enlarge -

The statue is clearly positioned at a transverse position in relation to the camera's point of view, in approximately 45 degrees. The King is depicted sitting on a throne and holding a sceptre. Please check "CENTRAL STATUE" ALBUM for all images.

"CENTRAL STATUE" ALBUM


We used a 3D model (artistic view), based on the Ubaid clay head from the site of Tell el-Oueili, comparing it to the statue on the Moon.


- Click on the images to enlarge -




It becomes evident the interconnection with the front of the statue's head, remarkably the "cone head", large oblique eyes and the angled face.


- Click on the images to enlarge -




These three characteristics are well known on Earth in many neolithic figurines, from different cultures of Middle East, separated by thousands of years. All of these figurines do share one same origin, the appearance of Orionians with their headgear on.
The Ubaid 0 clay head, as you can notice from the images above, is certainly the most accurate representation. It intends to show how the headgear looked like, from a meticulous observer, not trying to depict how the being behind it could look like, as most of these figurines are actually based, or stylizations derived from long past descriptions, and not from an actual observation by the creator of the figurine.
The differences between these figurines, despite always preserving the "cone head, coffee bean eyes and angled face" characteristics, show how rare, limited but at the same time impacting, had been the visualizations of humans' creators by these ancient cultures.

- Click on the images to enlarge -



The depiction of the full body reptilian figurines, i.e. Ubaid statuettes from Eridu and Ur, intended to show how neolithic humans imagined the appearance of Orionians. Note the naked body of the male, or the breastfeeding female in her panties - but always with the cone head, coffee bean eyes and angled face. In this case, these characteristics lead to the way they could be understood by these ancient cultures - reptilian humanoids, somehow similar to two legged desert monitor lizards, with cone heads. The truth, evidently, was far beyond that.
Please check "FIGURINES OF NEOLITHIC MIDDLE EAST" ALBUM and "OTHER REPTILIAN FIGURINES" ALBUM for all images and additional information.



- Click on the images to enlarge -


"FIGURINES OF NEOLITHIC MIDDLE EAST" ALBUM




"OTHER REPTILIAN FIGURINES" ALBUM



Interconnecting the head of the Reiner Gamma's statue, the 3D model we used before, based on the Ubaid 0 clay head, and the model of the reptilian head, based on the Ubaid statuettes, we could achieve a 3D model (artistic view) featuring the approximate appearance of an Orionian's head.

- Click on the images to enlarge -



. . .

Now we will check some very particular geoglyphs from Valle de Lluta, Azapa, Chiza and Cerro Pintados sites, in the Atacama desert. La Noria, the small village where Ata was found, is located inside this same region of northern Chile.


- Click on the image to enlarge -


The first representation, that we called "The Horned Dancer", can be found at the  Azapa and Chiza sites, in the Atacama, and also on the Moon, depicting a standing humanoid figure, with horns, and open arms. Note that in the Chiza and Moon versions, the figure features partially flexed legs.

- Click on the image to enlarge -


The second representation, "The Climber", found again at the Chiza site and on the Moon, depicts a humanoid figure with one leg and one arm extended, climbing a stairway.


- Click on the image to enlarge -



A magnificent connection is established by the presence of these two representations in the same geoglyphs sets, at Chiza and on the Moon.


- Click on the image to enlarge -



At Valle de Lluta and Cerro Pintados sets, we can find geoglyphs depicting the enormous skull and the triangular shaped face, both characteristics of the  Orionians. They are represented wearing what seem to be hooded robes, in the Cerro Pintados' geoglyphs.


- Click on the images to enlarge -




Ata introduces an interesting paradox - his physical characteristics are apparently so close to a human being but he isn't, in fact, human. Ata is a descendant of the same humanoid blueprint that originated ape-man on Earth, derived of panspermia, and that hundreds of thousands of years ago genetically manipulated ape-man to create homo sapiens, using some of their own characteristics (“in the image and likeness of God”).
Achieving the truth requires an overview of all information. Please check "GEOGLYPHS" ALBUM for all images and additional information.




"GEOGLYPHS" ALBUM

. . .

The region in northern Chile where Ata was found, in 2003, and the prehistoric geoglyphs in the Atacama desert were made, is perfectly inserted in the area where existed the Puma Punku / Tiahuanaco complex. Elongated human skulls have been found not only at north, in Tiahuanaco, but also to the south, in the region of San Pedro de Atacama, and to the west, at Paracas.
When we talk about elongated skulls, there are different aspects that should be considered. The original characteristic of extraterrestrial humans (H2), representing extra cranial capacity, was "diluted" along time on Earth due to the increasing terrestrial human DNA presence in the H2 bloodlines.
Also, homo sapiens (H1) tried to "emulate" this H2 characteristic, but what they were capable of doing via this technique, was to change the shape of the skull, not the actual volume; you could alter the shape, but not the size.
So, elongated skulls that represent a compatible increase of the cranial capacity, belong to the original characteristic of the H2. Elongated skulls without any increase of cranial capacity are related to H1's artificial "emulations". Hybrids H1 x H2 may feature intermediary results.

- Click on the images to enlarge -



The triple connection "Middle East - Atacama - Moon" is roundly established by the presence of elongated human skulls from Ubaid period (like the ones found in Eridu), Atacama and the ones depicted on the Moon, the cuneiform (proto) writing signs (please check the "CUNEIFORM (PROTO) WRITING: MESOPOTAMIA - SOUTH AMERICA - MOON" ALBUM for all images and information) and also the traces of the presence of humans' creators as the Ubaid 0's clay head, Ata and the Reiner Gamma's central statue.

- Click on the images to enlarge -



Interconnecting elongated skulls found at Paracas and the wonderful statue on the Moon, at the "Mare Fecunditatis" area, shown in part 5- "Humans "Creating" Humans ?", we could achieve a drawing of the aspect of an extraterrestrial human (artistic view, it doesn't intend to represent how our team imagines a H2, since the intrinsic value of every human lies on his/her individuality), showing the typical elongated skull.

- Click on the images to enlarge -



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PostSubject: Re: Nibiruans, divinity and the truth   Wed Jul 08, 2015 9:01 am

7- Pakal's Last Journey: The Mayan Connection

The fantastic carved image represented on the top of the slab that covers Pakal's sarcophagus, at Palenque.... The famous "astronaut".


We will prove that it depicts the moment that Pakal emerges to a new life by his Gods, possibly as the most fascinating evidence we have added to this topic so far.


____________


USGS (311  26.51), a wonderful geoglyphs' set on the Moon (~70Km x 30Km). Pakal is represented on the same zero-gravity position as in the mayan carved image, with stylizations of "spirits" or "ghosts" raising him, and two modeled human faces emerging from crocodiles' mouths, at the bottom of the set - the astonishing "second act" of the carved image on top of Pakal's sarcophagus.
The symbolism is absolutely remarkable, just like in the carved image at Palenque, meaning in essence that Pakal raises up for a new life through Gods' hands.





In the geoglyphs' set, Pakal is depicted on the same "astronaut" position, but now his hands are not "loose" anymore, as he holds a bar.


- Click on the image to enlarge -



The right foot is facing to the left, and the left foot is extended, just like in the mayan carved image. Also, there is the depiction of a breathing support system.


- Click on the images to enlarge -






At the bottom of the set, the depiction of two human faces emerging from crocodiles' mouths, following the mayan symbolism, as it represents the extraterrestrial (H2) origin of Pakal.


- Click on the images to enlarge -



At the top, stylizations of "spirits" or "ghosts", connected to the bar which Pakal firmly secure, raising him up through the last journey:


- Click on the image to enlarge -


the call of Orion...


- Click on the image to enlarge -




8- Orion's Belt: The Egyptian Connection

We definitely establish the extraterrestrial origin of the great pyramids, and unveil that the alignment of the Giza pyramids with Orion's belt  doesn't lie on  its relative position from Earth, sometime in the past, but it goes far beyond that...




____________

At the end of Reiner Gamma's "bright duct", an extraordinary set composed of three pyramids, following the Orion's belt pattern, that was also used in Giza.

- Click on the image to enlarge -



Note how the central square based pyramid, relative to Alnilam (USGS 304.85 11.53) and shown before in part 2- "Earth, Moon and Mars Connections", is adjoined to the extremity of the "bright duct".

- Click on the image to enlarge -



The first pyramid, relative to Alnitak (USGS 306.36  10.44), is pentagon based, similar to the pyramid at Cydonia, on Mars. The third pyramid, referencing to Mintaka (USGS 303.04  12.2), is square based.

- Click on the image to enlarge -



- Click on the images to enlarge -




Differently from the set of Giza, these three lunar pyramids establish two major patterns: the first, as in Giza, is linked to Orion's belt relative position at a given time and location; the other pattern is formed by the clockwise rotation of the second and third pyramids (ref. Alnilam and Mintaka) over their own axes, resulting, when you consider the whole set, in a "vector" that summarizes a direction of travel.

- Click on the images to enlarge -




In both sets, at Giza and on the Moon, the smallest pyramid, referencing to Mintaka, is the one which deviates from the diagonal. In fact, what really matters is the alignment of the three pyramids, not their disposal in relation to the environment where they were built, since this alignment is established as an interstellar pattern with a magnificent symbolic component.
The alignment with the belt of Orion at Giza can be detected from a simple aerial view, but these lunar structures are so extraordinary that a view from Moon's surface would be pointless even to establish them as a pyramids set; only from a low Moon orbit their sense as an actual set could be determined.

- Click on the image to enlarge -



The height of the pyramids, angle of the photos, and also the distance between the pyramids, hinder the accurate determination of the center of each structure, as you can notice when we compare three photos of the Giza's set, taken from different positions. Since the three stars that form the belt of Orion are situated relatively far from each other, different points of view from the space may result in diverse aligments for the belt.



- Click on the images to enlarge -



So, the consideration of cardinals points or the relative position of the three stars as seen from Earth (or Moon) sometime in the past, would make sense only if there was a local component in the arrangement  of these pyramid sets, what is not the case.
Both sets are aligned with Orion's belt, and from a perspective far beyond our reality, in time and space.
The "emulation" on Earth of the building of a three pyramids set was registered in the "Monkey and Pyramids" geoglyph, in Nazca (14°42'24"S 75°8'18"W). The "monkey", referencing to humans, builds three pyramids using a laser tool (or similar device) to cut the stones.

- Click on the image to enlarge -



The area where this geoglyph was made is inserted in the same region where the geoglyphs sets of the Atacama desert, shown above in part 6- "The Triple Connection: Middle East, Atacama and Moon", are located, linked to the Puma Punku / Tiahuanaco complex.

- Click on the image to enlarge -



We focus on the origin of the lunar's pattern of Orion's belt in part 10- "The Bottom Line". The "vector" defines a direction of travel to the stellar region below Orion's belt that is demonstrated in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42".

- Click on the image to enlarge -




9- Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42


The mayan hearth, connected to the alignment of three extraterrestrial pyramids, leading the way straight to M42.... From Orion's belt, not only the origin of humans' creators emerges, but also, ultimately, our own...    


____________

Reiner Gamma area, there are some geoglyphs linked to the pyramids' set. Following the alignment of the belt of Orion, and the clockwise rotation of the second and third pyramids over their own axes, a "vector" is formed defining a location represented in the region below Orion's belt. Let's take a closer look at this very particular position (USGS 307.55 12.26)...

- Click on the images to enlarge -



The "vector" ends at the middle of a circle, that is surrounded by an almond shaped drawing - it's the stylization of an eye.

- Click on the images to enlarge -



If we compare the Moon's set with the image of Orion, the relative position of the eye, beside M42, is projected inside the triangle formed by the interconnection between Rigel, Saiph and Alnitak - the "three hearth stones" of the mayans, the place of the "first creation".

- Click on the image to enlarge -


Orion is depicted as a turtle with the three stones glyphs on its back (referencing the three stars), forming an equilateral triangle. Oxib X'kub' represents the mayan hearth, and in the center of the triangular pattern is located M42.  

- Click on the images to enlarge -


In the Southeastern Ceremonial Complex (or the Southern Cult), name given to the regional stylistic similarity of artifacts, iconography, ceremonies and mythology of the Mississippian culture, from 1200 to 1650 AD, the "Hand and Eye" motif is a human hand with an eye gazing out from the palm, a symbol of deity (image below at left).
The "Hand Constellation" is actually the bottom half of Orion and it was considered a portal to the otherworld in Southeastern US cosmology. The three belt stars represent a severed wrist.
The Lakota and other Plains indians also saw a star grouping that they called "The Hand" in the bottom half of Orion.
The "Eye in the Hand" motif is of global significance in widespread cultures, for example the Hamsa hands or, in terms of the oldest known example, Çatalhöyük, Turkey, from the early neolithic.



The Eye of Horus, or the eye of the "God of the kings", or the "Lord of the sky".... And the All-Seeing Eye of God, an eye enclosed by a triangle, referencing the same symbolism, formed by the three stars of Orion, that the mayans adopted for the place of the "first creation"...




The Eye of Horus is "the eye of the falcon"...




Checking again the area of the lunar pyramids, you can notice the falcon's geoglyph, shown before in part 2...

- Click on the images to enlarge -



Now we will compare the pyramids' set on the Moon and the image of the bottom half of Orion. In images 1 to 3, the Moon's set is rotated over Orion until the three pyramids are aligned to the stars of the belt (not perfectly aligned due to the difference in the pattern that was used when the lunar set was built and its relative position from Earth nowadays, but precisely enough). In image 4, the whole picture is rotated, making the visualization of M42 easier. In the last image, the interconnection between M42 and the falcon's geoglyph becomes evident...


The stylized eye on the Moon, positioned at the end of the "vector" formed by the alignment of the three pyramids, represents an interstellar portal, situated under Orion's belt, as relatively seen from Earth.
The transit between the two systems, the bottom half of Orion and where our solar system is located, is performed through the M42's portal, possibly using the pyramids for this.

M42 is the falcon...






10- The Bottom Line

We introduce the final concepts of "The Orionians", "The System"  and "The All-Seeing Eye of God", unveiling that the conspiracy theories about the "secret societies" should not go as deep as you may possibly imagine.



From Sedna to Mercury, and including our Moon, there isn't a single inch of unexplored territory in the solar system.



There is nothing more linked to evolution than diversity.

____________

After connecting our origins to the bottom half of Orion in parts 8 and 9, we can introduce these three concepts:


The Orionians


Originated from the bottom half of Orion, these extraordinary beings have met humankind's fate twice - firstly, derived of panspermia, the same humanoid blueprint that originated Orionians resulted in ape-man on Earth; and much later, a few hundreds of thousands of years ago, they genetically manipulated the ape-man to create homo sapiens, using some of their own characteristics:

Panspermia...

Millions of years later, Orionians got the necessary technology to reach the solar system. The universal laws of physics are in fact, and still, universal, but there are shortcuts to "circumvent" them...
Amazed, Orionians find on Earth the ape-man, as result of cosmic evolution in our planet of the same humanoid blueprint that had originated themselves...

Hundreds of thousands of years ago, they genetically manipulated the ape-man to create homo sapiens (H1), as a species evolved enough to colonize other planets...
Humans soon settled in the entire solar system... Orionians leave Earth for humankind, allowing our species to meet the "human way" through cosmic evolution...
Our free planet is located within a monarchical system connected to Orion and governed by our creators...

Two varieties of humans... One with access to extraordinarily high technology, plus with a wide view of the universe, and the other experiencing a slow and painful evolution, limited to a single planet...
Extraterrestrial humans were submitted to a fantastic induced evolution, since the new challenges proved to require, among other atributes, an extra cranial capacity when compared to H1s...

Orionians and extraterrestrial humans (H2) keep sporadically visiting Earth...
H2s were the interlocutors with the sumerians and other ancient cultures, that considered them "deities"...
They described the story of the creation of homo sapiens, citing, among others, Enki, the extraordinary Orionian scientist...




The System

It is a phenomenal complex, politically organized as a "dual level" monarchy, in which Earth is located. The Kingdom raises from the bottom half of Orion (as relatively seen from Earth) and reaches the solar system, where the monarchy is carried out by extraterrestrial humans, as a direct allowance of Orionians.
The transit between the solar system and the bottom half of Orion in performed through an interstellar portal situated under Orion's belt, described in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42".




The Sumerian King List, listing kings from Sumerian and neighboring dynasties.... Kingship, at that time, was handed down initially by Orionians and later by extraterrestrial humans. The same monarchy adopted by humans' creators since ages before, and posteriorly introduced by them in the solar system, had the first H1s as kings when the royal bloodlines, composed by H2s, got an increasing terrestrial human DNA's presence.


The wonderful statue on the Moon depicting the Orionian King.... The symbols of the monarchy used by our creators - crown or tiara, staff or sceptre and throne, were introduced by them in the solar system and are used until these days by the remaining monarchs on Earth.


Sitchin, with a keen perception, did a terrific job outlining the core of his theory. In "The 12th Planet", he described the creation of homo sapiens by the genetic manipulation of a pre-exisiting species (ape-man), what can be cross-referenced by the geoglyphs' set on the Moon that we called "The Creation of Humans" (please check in part 2- "Earth, Moon and Mars Connections"), and also mentioned an event related to panspermia, focused by us as the "Ata's paradox" in part 6- "The Triple Connection: Middle East, Atacama and Moon".
Nevertheless, two "approaches" of his work seem to be off the brilliant central line - the idea of Nibiru, a distant planet in the solar system, as the origin of the "anunnakis" that 300,000 years ago reached Earth and created humans, and also the human nature of our creators, a paradox which was focused by us in part 5- "Humans "Creating" Humans ?".
The key to better understanding both of these aspects lies on the sumerian cylinder seal "VA/243", in the collection of the Vorderasiatisches Museum in Berlin.



This seal was used by Sitchin as a defense for sumerian knowledge of more than five planets in the solar system, what isn't possible to the naked eye, and the existence of a huge unknown planet, presenting a highly elliptical orbit (HEO), called "Nibiru".
In fact, both statements are correct. But this magnificent object certainly deserves a more detailed analysis:

1- The depiction of an extraterrestrial human, with the typical elongated skull, sitting on a throne and holding a staff (representing a H2 monarch), receiving two standing terrestrial humans (the central figure possibly representing a H1 monarch), holding hand in hand, and in sumero-akkadian signs the  expression "Your Servant".







2- The representation of a spaceship, with an aerodynamic shape, featuring the landing gear and a parabolic structure over it, directed to the solar system, consisting of the Sun and planets orbiting it.





Both depictions clearly denote dominion.

Sitchin interpreted extraterrestrial humans, or the "anunnakis", as our creators, and Nibiru as their origin; the sumerians considered H2s "deities", an expected behavior. Achieving the truth requires the use of our discernment to go beyond this connection - nibiruans and divinity.

Nibiru, or "Planet X", the way you prefer calling it, is only a distant planet in the solar system featuring a HEO, unrelated to being the origin of our creators.
The seal VA/243, as we demonstrate below, depicts two of these cold planets -  the first, smaller than Mars, in HEO between Mars and Jupiter (side view from the edge of the solar system), and a huge planet larger than Uranus, in HEO between Saturn and Uranus (also side view).

The discovery of trans-Neptunian objects in the solar system became often for the last twenty years. Sedna, Eris, Makemake, Haumea, Orcus, Quaoar, among other dwarf planets and satellites, orbit the Sun at a greater average distance (semi-major axis) than Neptune, 30 astronomical units (AU). Pluto itself, that is included in the VA/243 representation as a planet, has an elliptical orbit, but it can't be compared to the HEOs that we are talking about. While Pluto takes 248 years to orbit the Sun, and its average distance from the star is of aproximately 40 AUs, these two planets are possibly located some hundreds of AUs from the Sun, taking a few thousands of years to orbit it.




Eris has an orbital period of 558 years, and its average distance from the Sun is of 67.7 AUs, while Sedna, with its exceptionally elongated orbit, takes 11,400 years to complete it, presenting a semi-major axis of 527.7 AUs.




Decoding the VA/243's depiction of the solar system firstly requires the comprehension of the context in which this seal was created. Made by an akkadian handicraftsman, it depicts a scene with three human figures,  some expressions in sumero-akkadian signs and other representations. Concercing the solar system, the artisan got, directly or not, from an extraterrestrial human, the description of how the planets orbit our Sun.
But how could he, using this knowledge, represent different sizes of planets, from a side view of the solar system, respecting their orbits and keeping all of them in order of the nearest to the farthest from the star ? Representing them in terms of their relative sizes considering the whole set would be highly unlikely, if not impossible.




So, the artisan ingeniously arranged the eleven planets around the Sun, starting from Mercury, the rightmost, and ending, after a full turn, next to it on Pluto. The size of each of the planets is only relative to the previous and next ones - Venus' representation is larger than Mercury's, Earth's larger than Venus and so on, according to their actual sizes. The nine planets that follow a low elliptical orbit are represented in that way, with the exceptions of Mercury and Pluto, that open and close the arrangement on the right. Finally, the two HEO planets were placed in front of the vertex formed by the stylizations of the sunlight.




From a side view of the solar system, the first HEO planet crosses the ecliptic between Mars and Jupiter, and the other one between Saturn and Uranus.





Interestingly, Sitchin in his books described Nibiru with a highly elliptical orbit between Mars and Jupiter.




Planets would be extremely hard to being detected, even in the solar system, if presenting a HEO. Direct detection is nearly impossible. Astronomers shall use indirect methods like the Kozai mechanism for this, a process in which a larger body causes a smaller body’s orbital characteristics to oscillate around a specific point.
Anyway, sooner or later these two last planets will be finally "discovered".





The All-Seeing Eye of God

It is commonly associated with the freemasonry, and also other societies, invariably used  as a high symbol. It shares the same origin of the egyptian Eye of Horus, referencing to the interstellar portal located under Orion's belt, as relatively seen from Earth, that connects the solar system to M42 (please check in part 9). The triangle formed by three stars of Orion, Rigel, Saiph and Alnitak, encloses the eye that represents the portal.  




. . . .

The creation of homo sapiens had an intention beyond a primitive worker to mine gold on Earth; the colonization of the solar system was the real motivation.

Mortality, as a synonym of extinction, is an inceptive condition in the System. H1's individual "free will" is relative since it is not only linked but irreversibly tied to our cosmic evolution as species. We are part of something bigger than ourselves. Humankind will meet its destiny as species, and this will come to a price individually - that's where our concept of divine justice acts (Revelation 21:4).

The Orion's belt pattern is a standard referencing to the alignment of the belt as seen from a specific position, relatively close to Earth, at a given time, and followed as a tribute to our origins and creators.

The perception of our creators' identities was lost over time, leaving only short traces of the truth. There is a price to be paid - the faster humankind turns back to reality, the higher it will be. Our way of life, consuetudes and social values were created and progressively changed during a gap after the departure of Orionians from Earth. The world "as we know it" wouldn't make through a full official disclosure.

The symbols used on Earth linked to our origins - the All-Seeing Eye of God, the vector, the Orion's belt pattern, the three dots arranged in a triangular pattern, among others, represent an easy and direct way of interacting with such different culture and evolution stage, of establishing a simple connection. Make no mistake, all cover-up that has been produced is necessary, and its ultimate objective is to very slowly prepare humankind for a wider view of the scene, rather than keeping any privileges to specific groups. Clementine's Moon images prove it, their disclosure was an enormous step towards the truth.

Respect diversity and renounce to stupidity and intolerance. Don't give up, make it worth. Be good. If you do something wrong, don't just feel sorry, fix it;  if it can't be fixed, improve yourself, be always an active part for the good of the System -  doing so you will stay connected to your origins, until the day you die.



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PostSubject: Re: Nibiruans, divinity and the truth   Wed Jul 08, 2015 9:05 am

A- Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)

The phenomenal pyramids' set on the Moon (for more details please check in part 8- "Orion's Belt: The Egyptian Connection"). Reiner Gamma's "bright duct" spreads tortuously through the lunar surface for almost 300 kilometers until getting connected to the central pyramid, referencing to the star of Alnilam.

- Click on the image to enlarge -


The pyramids of Giza are possibly much older than our current history "accepts", or in fact could accept. They were aligned with the three stars of Orion's belt at a specific time and position; the smallest pyramid, referencing to Mintaka, is the one which deviates from the diagonal - exactly like in the lunar's set.




At the time when the set of Giza was fully operational, an aglomerate of terrestrial humans (H1), attracted by those extraordinary structures and the "divine events" linked to them, especially vinculated to extraterrestrial humans (H2), used to live at their cercanias. From this proximity, throughout the years, hybrids with H2 DNA were born, of which the most remarkable characteristic was the typical H2 elongated skull.
These hybrids formed over millennia a caste that became actually royal from the moment in which the extraterrestrial operation of the Giza set was finished.




The egyptian kingship was then based on "divine right". Marriage between father and daughter, or brother and sister, was done to keep the royal blood "pure", perpetuating nobility, since there was no new addition of extraterrestrial DNA.
Over time, the egyptian royal bloodlines inevitably got more and more H1 DNA, until that the characteristics of H2s were completely eliminated.


"(...)I will settle firm decrees for Harakhty.
He begat me to do what should be done for him,
to accomplish what he commands to do,
He appointed me shepherd of this land,
knowing him who would herd it for him.
He gave to me what he protects,
what the eye in him illuminates.
He who does all as he desires
conveys to me what he wants known.
I am king by nature,
ruler to whom one does not give.
I conquered as a fledgling,
I lorded in the egg,
I ruled as a youth.
(...)
[Mine is the land], its length and breadth,
I was nursed to be a conqueror.
Mine is the land, I am its lord,
my power reaches heaven's height.
I excel by acting for my maker,
pleasing the God with what he gave.
his son and his protector,
he gave me to conquer what he conquered."

Building Inscription of Sesostris I



Eventually, the egyptian royalty got access to some information about the origin of their ancestors, in a way that the highest technology could be expressed as the terrestrial culture of that time - using metaphors, such as the falcon God, the "solar boat", the snake and the Eyes of Horus and Ra.




. . .



In the photo below, note how the sunlight reflects on the side faces of the Giza pyramids, causing a shadow projected on and beyond the reverse face of the structure. The same projection can be observed in the lunar pyramids, particularly in the Alnilam's representation.







On the apex of this central pyramid, you can notice a four sided area that differentiates from the rest of the structure. If you apply a color filter to the whole uppermost part, a triangular face is highlighted, corresponding to the same lateral face of the pyramid that reflects more intensely the sunlight - it is a pyramidion.







. . .


The sets of Giza and Reiner Gamma, as referring to the three stars of Orion's belt, honor the origin of our creators. There is only one "power pyramid" in each of the sets. This particular pyramid gathers the access to an extremely powerful energy source and features a high technology pyramidion on its apex. In Reiner Gamma it references to Alnilam, while in Giza the power pyramid, that had its uppermost part removed, is the one which refers to Alnitak. The energy plant of this pyramid was possibly based on cold fusion.











In the reverse side of the seal of the United States, there is a clear connection between the All-Seeing Eye of God and a pyramid lacking its uppermost part.





It is important to emphasize the link betwixt the All-Seeing Eye of God and the Eye of Horus - they both represent the same interstellar portal, situated under the belt of Orion (as relatively seen from Earth), but using different approaches. While the egyptian Udjat refers to the "eye of the falcon", meaning the "eye of  Orion Nebula" (please check in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42"), the All-Seeing Eye of God depicts the eye enclosed by the triangular pattern formed by three stars of Orion, Rigel, Saiph and Alnitak, following the mayan symbolism of Oxib X'kub'.






. . .



The functionality of a power pyramid is possibly based in a torsion field using the pyramidal geometry, that evolves later, in a second process, to an Einstein-Rosen bridge, making faster-than-light interstellar travel possible.






Reiner Gamma is in fact a fantastic power plant, possibly also based on cold fusion. The lunar power pyramid is at least fifty times larger than Giza's, with a square base of lenght ~11.5 kilometers.



- Click on the image to enlarge -





Despite the notable size difference, the technology applied in both power pyramids is similar, involving a four sided pyramidal structure, an energy source and a special high-tech pyramidion on the apex.








. . .


As said above, the ancient culture of Egypt, highly stylized and symbolic, adopted the metaphors when translating the essence of the H2s' reality. Mythology comes from this inspiration, the adaptation of extraordinary extraterrestrial events for a format that the ancient egyptians could understand and express, what resulted in a complex system of polytheistic beliefs and rituals which were an integral part of their society.






Ra merged with Horus, as Ra-Harakhty ("Ra, who is Horus of the two horizons", or Re-Harachte).... The falcon with the solar disk on his head travels in the "solar boat", with two stylized eyes as companions.








The stylization of the eye was commonly associated with the "solar boat"...








The Giza "solar boat", a full-size vessel that was sealed into a pit next to the power pyramid.... It was designed to ferry a pharaoh to the "afterlife".








The black granite pyramidion of Merneferre Ay.... The pharaoh is depicted on a boat offering to Horus, "Lord of heaven".








The magnificent pyramidion of Amenemhet III.... The solar-disk flanked by uraeuses, and under it the two stylized eyes. At the base of the face, two lines of hieroglyphs:

“May the face of the king be opened so that he may see the Horus of two horizons (Harakhty) when he crosses the sky; may he cause the king to shine as a God, Lord of eternity and indestructible, (Harakhty replies that he has) given the beautiful horizon to the king”

On the reverse face, part of the inscription reads:

"The soul of Amenemhet is higher than the heights of  Orion, and it unites itself with the Duat(...)"









. . . .



Orion, "The father of the Gods"
Horus, "Who rules the two eyes"


A twin portal system, set up from the power pyramids.
The Eye of Ra, our Sun's portal, and the Eye of Horus, or the M42's portal, allowing faster-than-light travel between the solar system and the bottom half of Orion...



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PostSubject: Re: Nibiruans, divinity and the truth   Mon Jul 13, 2015 9:53 am

B- Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System

Osiris is a latin transliteration of the ancient greek ó.si.ris, which in turn is the greek adaptation of the original theonym in the egyptian language. In egyptian hieroglyphs the name is written Wsjr, as the hieroglyphic writing does not restitute all the vowels, and egyptologists transliterate the name variously as, among others, Asar and Asari.
There are several possibilities as to what this name means, like "the strength of the eye". One of the oldest and simplest form of the name is the hieroglyph of the eye over a throne.




The story of the egyptian Osiris centres in his death and resurrection, as the sumerian God Asari was to "raise the dead to life". Nowhere else in babylonian literature, whether sumerian or semitic, we find any reference to resurrection - it is only in the connection with Asari that we hear a possibility that the dead may live again.

The group of wedges which are read "Asari" (fig. A) is composed of two distinct characters. The first means "tent" (fig. B), while the second has the meaning of "eye" (fig.C), and it is placed inside the sign for tent, or "the eye in the tent".




The word "tent" was a common metaphor for "sky" in the ancient world; there are several examples of this:


"In them (i.e. the heavens) He (God) has set a tent for the Sun, which is as a bridegroom coming out of his chamber, and rejoices as a strong man to run his course."  
The 19th Psalm

"Praise the Lord, my soul. Lord my God, you are very great; you are clothed with splendor and majesty. The Lord wraps himself in light as with a garment; He stretches out the heavens like a tent(...)"
The 104th Psalm

"It is He who sits above the circle of the Earth, and its inhabitants are like grasshoppers, Who stretches out the heavens like a curtain and spreads them out like a tent to dwell in."
Isaiah 40:22

The Book of Job imagines the cosmos as a vast tent, with the Earth as its floor and the sky as the tent itself.


Asari was son of Ea (Enki), of Eridu. In the language of sumer, Asari signified “the mighty one” or “prince”.
The attributes of both Osiris and Asari were the same - Osiris was Un-nefer, “the good being”, whose life was spent in benefiting and civilising humankind, while Asari's common title was that of “the prince who does good to men” (Asari-galu-dugga). Asari and Osiris are not only the same in name and pictorial representation, they play the same part in the history of religion and culture.

The ancient egyptians associated the stars of Orion with Osiris, the Sun-God of rebirth and afterlife. Orion was considered the abode of Osiris following his resurrection, and in ancient Egypt Orion was known as "the soul of Osiris". Traditionally Osiris is considered to be the "Lord of the Two Lands" - "Heaven and Earth". In the pyramids texts tere are several citations of Osiris as the "resurrector":


"O Unas, you have not gone dead, you have gone alive to sit on the throne of Osiris"

"You are born for Osiris, o Horus!"

" In your name of He-in-Orion, your time is in heaven, your time is on Earth.
Osiris, turn your face so that you see this Unas, your seed which came out of you,
the penetrating one! He lives! This Unas lives! He is not dead, this Unas is not dead!
He is not gone down, this Unas is not gone down! He has not been judged, this Unas has
not been judged! He judges, this Unas judges!"


The stars of Orion were regarded as a God called Sah, that, as said above, was syncretized with Osiris. Again, passages from the pyramid texts support this statement:


"O Horus, this king is Osiris, this pyramid of the king is Osiris,
this construction of his is Osiris; betake yourself to it, do not be far from
it in its name of pyramid"


"Hail to thee, O ladder of God, hail to thee, O ladder of Set.
Stand up, O ladder of God, stand up, O ladder of Set, stand up,
O ladder of Horus, whereon Osiris went forth into heaven"


"Betake yourself to the waterway, fare upstream to the Thinite Nome,
travel about Abydos, in this spirit form of yours which the Gods commanded
belongs to you, may a stairway to the netherworld be set up for you to the
place where Orion is”


The constellation of Orion has its origins in the mythology specifically in the Epic of Gilgamesh. Sumerians associated it with the story of their hero fighting the "bull of heaven", represented by the constellation of Taurus.
Orion was described by the babylonians both as a constellation and a supreme being. They called Orion “sipa.zi.an.na”, “the shepherd of heaven”.

We can establish a connection between Enki (Ea) and Enlil, the sumerian Gods, and the representation of Osiris or Asari.
Ea was the Ninigiku, "Lord of the Sacred Eye", or "Lord Bright-Eyed" (Nin= Lord; Igi= eye; Ku= silver, bright), as mentioned in the tablet XI of the Epic of Gilgamesh:

"When their heart led the great Gods to produce the flood.
[There] were Anu, their father,
Valiant Enlil, their counselor,
Ninurta, their assistant,
Ennuge, their irrigator.
Ninigiku,
(that is) Ea, was also present with them;(...)"


And in the "Enlil and Ninlil: The Begetting of Nanna" myth, we will find this citation concerning Enlil:

"At that time the maiden was advised by her own mother, Ninlil was advised by Nun-bar-ce-gunu:
The river is holy, woman! The river is holy - don't bathe in it! Ninlil, don't walk along the bank of the Id-nunbir-tum!
His eye is bright, the Lord's eye is bright, he will look at you! The Great Mountain, Father Enlil - his eye is bright, he will look at you!
The shepherd who decides all destinies - his eye is bright, he will look at you!"


Note that Enlil is also described as "the shepherd who decides all destinies", a similar approach to the the babylonian term for Orion.


. . .


In the Enuma Elish, the babylonian creation myth, Asari is cited as one of the many names for Marduk, the late-generation God and patron deity of the city of Babylon, the "Lord of the Gods".  
When Babylon became the political center of the Euphrates valley around the 18th century BC, Marduk slowly started to rise to the position of the head of the babylonian pantheon, a position fully acquired by the second half of the second millennium BC.
There are countless citations for Marduk's supremacy in the ancient texts, including one in the 7th tablet of the Enuma Elish very close to Orion as “the shepherd of heaven”, and similar to Enlil's reference cited above:

A Hymn to Marduk for Abi-Eshuh (Abi-Eshuh A)

"King who gathers up the divine powers of heaven and Earth, foremost son of Enki,
Marduk, mighty Lord, perfect hero, foremost of the Great Princes
(a name for the Igigi Gods),
strong one of the Anuna, the great Gods who have given him justice and judgment!(...)
Your ancestor An, king of the Gods, has made your lordship effective against the armies of heaven and Earth."


"He has given you the supervision of great august commands of heaven and Earth, he has bound to
your hand the shepherd's crook that curbs the foreign lands, he has made you excel among the great Gods,
and in addition has given you, to control them, the royal sceptre and the ritual ordinances of the Gods.
Enlil has fixed as your destiny kingship over the totality of heaven and Earth(...)"


Enuma Elish

"May he (Marduk) establish the paths of the heavenly stars,
And may he shepherd all the Gods like sheep."

7th tablet


"He (Marduk) named the four quarters of the world, mankind he created(...)"
7th tablet


"I sent Anu, but he could not withstand her;
Nudimmud was afraid and turned back.
But Marduk hath set out, the director of the Gods, your son;
To set out against Tiamat his heart hath prompted him."

3rd tablet


"O Marduk, thou art chiefest among the great Gods,
Thy fate is unequaled, thy word is Anu!"

4th tablet


"He (Marduk) made the stations for the great Gods;
The stars, their images, as the stars of the Zodiac, he fixed.
He ordained the year and into sections he divided it;
For the twelve months he fixed three stars.
After he had ... the days of the year ... images,
He founded the station of Nibir
(the planet Jupiter) to determine their bounds(...)"
5th tablet


In the 4th tablet of the Enuma Elish, it is established a connection between Marduk and Orion, when the God is described preparing himself for the battle against Tiamat, the sea serpent:

"He (Marduk) fashioned a bow, designated it as his weapon,
Feathered the arrow, set it in the string.
He lifted up a club and carried it in his right hand,
Slung the bow and quiver at his side,
Put lightning in front of him(...)"




A similar link to Orion can be found in the Epic of Gilgamesh, when the warrior gets ready for his journey and posterior battle against the "bull of heaven":


"Gilgamesh took the axe, he slung the quiver from his shoulder, and the bow of Anshan,
and buckled the sword to his belt; and so they were armed and ready for the journey.(...)"



The two metaphorical "opponents" refer to the constellations of Cetus (Tiamat) and Taurus ("bull of heaven").

Cetus corresponded with the greek "kee-tos", which was a generic term for a very large sea creature. When you look at the etymology and structure of the words forming the proper noun "Tiamat", by the time of semitic domination in the Near East, it meant nothing else but "serpent [of the] sea".
Ta/Tan translates to "serpent" or snake, while yam translates to "sea or ocean". The vocalization in semitic grammar alters the Ta to Ti, so we have the Tiyam meaning "serpent [of] sea". As for the at suffix, all semitic tongues end a feminine with an ending at/it/owt. "Tiyamat" was then a female serpent of the sea.

These imaginary cosmic battles served to praise the glory, bravery and power of Orion by taking advantage of the figurative position of the "warrior" with regard to the two constellations immediately in front of his "weapons".




. . .


The neo-assyrian cylinder seal in the collection of the British Museum (#89589). Marduk is depicted holding a "lightning bow" (or thunderbolt) with his front arm, parallel to his body, and a club with the right arm bent upward, chasing after Tiamat, the sea serpent. His representation is based on the description contained in the Enuma Elish, mentioned above, linked to Orion.



- Click on the images to enlarge -





In the acrostic "Ashurbanipal's Hymn to Marduk" (the original is in the British Museum, Ashurbanipal the assyrian king from 669–631/627 BC), it is said that Marduk crushed the skull of a monster called Anzu (also called Zu). In sumerian and akkadian mythology, Anzu is a divine storm-bird that stole the "Tablet of Destiny" from Enlil and hid it on a mountaintop. Anu ordered the other Gods to retrieve the tablets, even though they all feared the demon. According to the text, it was Marduk, called "smiter of the skull of Anzu", that killed the demon bird. The devolution of the Tablet to the place it belongs reafirms cosmic stability.

This metaphorical confrontation was represented in two magnificent panels (forming a pair, positioned at each side of an entrance) depicting two singular figures, one is that of Anzu (kind of a lion-griffin), and behind it, the representation of Marduk holding two "lightning bows", chasing after the monster.
This bas-relief, from Nimrud, and related to the assyrian king Ashurnasirpal II (assyrian king 884-859 BC), was masterfully reproduced in "A Second Series of the Monuments of Nineveh", by A.H. Layard and team.
The panels are also in the collection of the British Museum (#124571 and 124572).



- Click on the images to enlarge -





The scenes represented in the neo-assyrian cylinder, and the bas-relief from Nimrud, correspond respectively to the myths of Marduk fighting against Tiamat, the primordial sea serpent, and Anzu, the demon bird. Also, the depictions of Marduk chasing after the two monsters, with the front arm holding the "lightning bow", parallel to his body, and the back arm bent upward and holding another weapon, ready to attack, beside the disposition of his legs, partially open, are based on the figurative disposition of the constellation of Orion, as seen from Earth.
The bas-relief depiction of Marduk features two similar "lightning" weapons, but note the way they are handled - the left arm (check the front hand) holds it as a bow, in front of and parallel to the body, while the right arm is bent upward, so the weapon is kept like a club or a mace just before a strike.






The Myth of Anzu, and the part of the Enuma Elish focusing the defeat of Tiamat, share a basic scenario in which a few Gods are invited to battle a ferocious monster, but decline, followed by another God who promptly accepts it. Indeed, the connection between the two stories goes beyond it, as they share one single hero, Marduk, when you consider the hymn of Ashurbanipal, that is focused on the assyrian version of the story, and in which the panels from Nimrud, shown above, are based. In the hymn, it's also said that Marduk "vanquished broad Tiamat".
Thereby, what stands out is the metaphorical language of the two plots, the same figurative concept of the monster that must be defeated, but being so terrible that even Gods refuse to fight against it, when Marduk, the savior, emerges and defeats the creature.



. . .


The magnificent pair of lapis lazuli cylinder seals, date to the early neo-babylonian period, and found together between the Esagila and Etemenanki. They are in the collection of the Vorderasiatisches Museum, in Berlin (VA Bab 646 and 647).
In the first seal, Marduk is depicted resting on his "pet dragon", the defeated Tiamat, now the God's sacred animal - the mušḫuššu.




The other seal depicts God Adad resting on his "pet lion-griffin", representing a subdued Anzu.
The original text reads “The seal of the God Adad”. Then, two bracketing lines were added to the original text - “Property of the God Marduk" and "of Esagila”, so that the full inscription is:

“Property of the God Marduk. The seal of the God Adad of Esagila”

Although the object was the personal seal of Adad, its function was in the polytheistic cult of Marduk, the supreme God of Babylon, where Adad was also represented (note the image of the ziggurat).
The seal was probably taken as booty and returned by Esarhaddon (king of Assyria 681 – 669 BC), who added these lines:

"To the God Marduk, great Lord, his lord, Esarhaddon, king of Assyria, has given (this seal) for his life"






Both depictions are decorated with three star-discs, one below the other - the best known representation of Orion nowadays, the three stars of the belt.




In Adad's seal, the stars of Orion's belt were marked using the stylizations of the stars' light (Alnitak has 6 "rays of light", Alnilam's 8 while Mintaka's 4), according to their radius and/or brightness relatively to the belt's set. Alnitak is ~10,000 brighter than our Sun (visible spectrum), with ~20 solar radius (R☉) for the primary star, while Alnilam is ~18,000 brighter with ~24 R☉  and Mintaka is ~7,000 brighter with ~15.8 R☉.




In Marduk's cylinder seal, the stars of Orion's belt were represented using some of their unique characteristics.
Alnitak is the triad of horses, a reference that preceded the celtic Goddess Epona, who was a protector of horses, of which one of the symbols was the same triad - the depiction is linked to the Horsehead nebula (B33), a dark nebula located just to the south of this star.




Note that the seal's representation of the horse is similar to Ishtar Gate's unicorn, the stylization of a horse with a horn projecting from its forehead (and not an auroch).    






Alnilam's reference is the molecular cloud NGC1990, a faint reflection nebula of almost circular shape which surrounds this star and is illuminated by it, highlighting stars to form a "semi-arc" around the blue supergiant.
Mintaka is a multiple star system, consisting of four different stars, with a magnitude 7 star about 52 arcseconds away from the main component and an even fainter star in between, while the main component itself is also double.
Additionally, there is a cluster of young stars surrounding it.
These characteristics were the origins of the arabic names النظام an-niżām, related to the word نظم nażm, "string of pearls", of Alnilam, and منطقة manṭaqa, "the girdle", of Mintaka.




Evidently, the source of the knowledge that allowed all these celestial representations was extraterrestrial, similarly to the solar system's depiction in the cylinder seal VA/243 (please check in part 10- "The Bottom Line").


. . .


Marduk, as said, was the principal deity of Babylon, regarded as king of the Gods. The adoration to Marduk was in fact the adoration to Orion. In ancient mesopotamian art, his symbol wasn't a "marru", or spade, nor any emblem of agriculture or that could symbolize the act of digging. It was sometimes depicted on top of a staff, being praised, and other times it's on an altar, usually being protected by the mušḫuššu.
Marduk's symbol was based on the same geometric figure that later represented the bottom half of Orion in the mayan Oxib X'kub' and the All-Seeing Eye of God - a triangle.




- Click on the image to enlarge -






. . .

A form of visual differentiation found in many of the pre-Ubaid and Ubaid sites (prehistoric period of Mesopotamia) is head shaping, denoting the intentional modification of the human head form in infancy. The typical elongated skull of extraterrestrial humans (H2), representing extra cranial capacity, was the inspiration.
As we exposed in part 6- "The Triple Connection: Middle East, Atacama and Moon", this characteristic of H2s was "diluted" along time on Earth due to the increasing terrestrial human DNA presence in their bloodlines. Simultaneously, homo sapiens (H1) tried to emulate this H2 characteristic, changing the shape of the skull and marking individual identity as much as it indicated social status.
Elongated skulls that represent a compatible increase of the cranial capacity belong to the original characteristic of H2s, while elongated skulls without any increase of cranial capacity are related to H1's artificial emulations, and hybrids H1 x H2, such as the ones that formed the egyptian royalty (focused in addendum A- "Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)"), may feature intermediary results.




In the thirteen sites cited below, from the at least eighty two remains recovered that could be analyzed, over sixty percent were affected by different types of head shaping.





So, the proximity of these ancient civilizations with H2s in varying degrees over millennia resulted, in a way or the other, in the elongated skull's occurrences on Earth.

This same proximity was the source for the egyptian and mesopotamian mythologies - the construction of myths was the manner in which these civilizations could metaphorically not only explain nature, but express about the extraterrestrial events linked to the polytheistic practice, using the H1 understanding of that time.
Naturally, what matters isn't the "name" of any God, but what He expressed to these cultures.
Osiris, Marduk, and several other Gods with different denominations, represented the one and only origin of our creators, Orion, which began to be called uniformly after the greek mythology.


. . . .


Nibiru (Ne.Be.Ru.), "The Planet of the Crossing"


A generic term found in sumerian tablets relative to a "crossing" point or position, that did not correspond to the origin of our creators according to the ancient registers, whether sumerian or from any posterior culture, whose mythology invariably pointed to Orion. In this matter, "Nibiru", at the most, could have been used to name a celestial body with an elongated orbit that crossed the ecliptic.



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PostSubject: Re: Nibiruans, divinity and the truth   Sat Aug 08, 2015 12:31 pm

C- "Kingdom in Heaven" x Interstellar Monarchy

Monolatrism, the recognition of the existence of many Gods, but with the consistent worship of only one deity, was a stage in the development of monotheism from polytheism. Two of the best examples of this are the rise of Marduk from the tutelary of Babylon to the claim of universal supremacy, and the Aten cult in the reign of the egyptian pharaoh Akhenaten.
The historic sequence polytheism - monolatrism - monotheism is linked to the gradual decrease of humankind's interaction with extraterrestrial humans, an event that possibly begun with the end of the extraterrestrial operation of the Giza set, focused by us in addendum A- "Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)".

As we demonstrated in addendum B- "Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System", the adoration to God Marduk was the adoration to Orion. The constellation was called by the babylonians “sipa.zi.an.na” - “the shepherd of heaven”, or "the true shepherd of heaven".
In the 7th tablet of the Enuma Elish, the babyonian creation myth, there is a citation of Marduk roundly connected to the babylonian term for Orion:

"May he (Marduk) establish the paths of the heavenly stars,
And may he shepherd all the Gods like sheep."


Also in addendum B, we evidenced that the stars of Orion (Sah) are syncretized with Osiris. There are several passages in the pyramid texts that support this statement:


"The sky has borne you with Sah, the year has put a fillet on you with Osiris"


"Osiris has come as Sah, Lord of wine in the Wag festival"


"O King, you are this great star, the companion of Sah, who traverses the sky with Sah,
who navigates the Duat with Osiris”


One of Osiris divine titles was of "the good shepherd". The crook (heka), an important albeit primitive device used by shepherds, and flail (nekhakha) are emblems of this egyptian God. They became insignia of pharaonic authority.




. . .


The sculptured Dendera zodiac, an egyptian bas-relief from a chapel dedicated to Osiris in the Temple of Hathor, part of the collection of the Musée du Louvre (#D 38). Its representation of the zodiac in circular form is unique in ancient egyptian art. Horus, perched on a wadj, was depicted precisely along the axis of the temple itself (it references to Orion Nebula, for more details please check in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42)". Orion is represented by Osiris, holding a staff in front of him with his left arm and a flail with his right arm.
This depiction is surrounded by the representations of the constellations of Gemini and Taurus, and also Sirius (as Sothis, in her form of a sacred cow).  






In the rectangular zodiac which decorate the same temple's pronaos, Sirius was depicted once more next to the representation of Orion, followed by Gemini and Taurus. Osiris is on a "solar boat" ready for his journey and again holds a staff with his left arm.






The sumerian God Enlil was described as "the shepherd who decides all destinies", in the "Enlil and Ninlil: The Begetting of Nanna" myth:

"The Great Mountain, Father Enlil - his eye is bright, he will look at you!
The shepherd who decides all destinies - his eye is bright, he will look at you!"


In the 23rd Psalm of the bible, the Lord is the shepherd, whose rod and staff bring comfort:

"The Lord is my shepherd; I shall not want. He makes me lie down in green pastures.
He leads me beside still waters. He restores my soul.
He leads me in paths of righteousness for his name's sake.
Even though I walk through the valley of the shadow of death,
I will fear no evil, for you are with me; your rod and your staff, they comfort me.(...)"


In John 10, Jesus states that he is the good shepherd:

"I am the good shepherd. The good shepherd lays down his life for the sheep.
The hired hand is not the shepherd and does not own the sheep. So when he sees the wolf
coming, he abandons the sheep and runs away. Then the wolf attacks the flock and scatters it.
The man runs away because he is a hired hand and cares nothing for the sheep.
I am the good shepherd; I know my sheep and my sheep know me — just as the Father knows me and
I know the Father — and I lay down my life for the sheep.(...)"




So, several major Gods over millennia, from different mythologies, were called "shepherds". And in the bible, not only the Lord is the "shepherd" - his son Jesus, that represented our origins on Earth and taught about love and forgiveness, says that he is "the good shepherd".
Egyptians worshipped Osiris, unequivocally representing Orion, that was a God of resurrection also called "the good shepherd", usually depicted holding a crook (a herding tool) in one of his hands and a flail (a rod attached with three beaded strands) in the other.
It is plain that we should not accept literally all that was meant mystically. The point here is not to try to relativize any of the mythological Gods neither between them nor with Jesus, that existed historically - they all had a very important role in the story of human evolution during the last millennia.
What is crucial is to understand that they share one same origin.

The God of the bible is a monotheistic version of not only Osiris, but various major deities. The God of all humans, as the reference for origin and rebirth, has always been Orion - no surprises here, since we are dealing with the origins of humankind, and not merely the origins of "the-last-two-thousand-years-humankind".
Orion's primordial representation, the original extraterrestrial portrait, wasn't of a warrior or hunter. As demonstrated in addendum B, and also above, it can be traced back to babylonian, egyptian and sumerian mythologies.

Holding "your rod and your staff", Orion is the shepherd.




The rod and staff establish a clear connection with the crook and flail of Osiris. These two tools paint a picture of a strong shepherd, based on the figurative disposition of the constellation of Orion as seen from Earth, who not only cares for us but will protect us.

. . .

The crucifixion of Jesus occurred most probably between the years 30 and 33 AD. According to the accounts in the new testament, Jesus was arrested and sentenced by Pontius Pilate to be scourged and finally crucified.
Jesus' crucifixion is described in the four canonical gospels, referred to in the new testament epistles, attested to by other ancient sources, and is established as a historical event.

The cross was made of an upright post called stipes, a heavy beam inserted into the ground, and a horizontal bar called patibulum, which the prisoner carried to the place of execution.
If the patibulum was attached two to three feet below the top of the stipes, then the cross was called the “low tau” as compared to the “high tau”, where the patibulum was attached to the top of the stipes.
Evidences from history and archaeology indicates that the low tau cross was preferred by the romans in Palestine at the time of Christ.
The titulus, a sign on which the condemned's name and crime were displayed, was attached above Jesus' head.




A wonderful geoglyphs set on the Moon, spreading for ~170km over the lunar surface.... Note that the depictions, some of them focused by us in part 2- "Earth, Moon and Mars Connections" and part 6- "The Triple Connection: Middle East, Atacama and Moon", were symmetrically arranged over vertical rows.
From left to right and bottom to top, considering the representations that can be more easily checked, the set presents:

Row 1 - A five pointed star with a tail.
Row 2 - A human face with a crown above it.
Row 3 - A humanoid figure with one leg and one arm extended, climbing a stairway; a standing humanoid figure, with horns, and open arms; another human face, now bearded.
Row 4 - An idiosyncratic proto-writing mark used to track quantities of something; the crucified man.


- Click on the image to enlarge -


The geoglyph on the Moon depicting the crucified man. Note that the patibulum is attached below the top of the stipes, meaning that it represents a low tau cross. The arms are outstretched along the patibulum to the extremities of the crossbar.

- Click on the image to enlarge -



. . .

Two magnificent artifacts that are key points in this topic, and were focused by us in part 10- "The Bottom Line".

The Sumerian King List, listing kings from sumerian and neighboring dynasties, their reign lengths, and the locations of kingship. Royalty at that time was handed down initially by Orionians and later by extraterrestrial humans.



And the sumerian cylinder seal "VA/243", in the collection of the Vorderasiatisches Museum in Berlin. It depicts an extraterrestrial human (H2), featuring the typical elongated skull, as a supreme ruler, sitting on a throne and holding a staff, being reverenced by the two standing terrestrial humans (the central figure possibly representing a monarch), holding hand in hand, and in sumero-akkadian signs the expression "Your Servant".

It also presents the depiction of a spaceship, with an aerodynamic shape, featuring the landing gear and a parabolic structure over it, directed to the solar system, consisting of the Sun and planets orbiting it.

Both representations clearly denote dominion by the H2 king.



The creation of homo sapien, by the genetic manipulation of the ape-man, had the colonization of our solar system as motivation. The monarchy adopted by Orionians, the creators of humans, since ages ago, presents H2s as monarchs locally.


. . . .


"Our Father in heaven,
hallowed be your name.
Your kingdom come,
your will be done,
on Earth, as it is in heaven."


Earth is located inside an interstellar Kingdom that raises from the bottom half of Orion, origin of our creators.


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PostSubject: Re: Nibiruans, divinity and the truth   Mon Aug 24, 2015 7:36 am

D- One Last Lunar Reflection

There are very few sites on Earth where you can go straight beyond the ancient human cultures and reach the core of the extraterrestrial activity in this planet. From these, the Giza Plateau and the Puma Punku / Tiahuanaco complex are two of the most impressive concerning their link to our origins, Orion.
Puma Punku had a huge structure (~170m x 120m) of unknown functionality, while Tiahuanaco was a major ceremonial center built by humans devoted to the Puma Punku's "divine" events.
Tiahuanaco was then a monumental symbol that gave unity to the people, connecting with the sacred and the transcendent sense of the civilization of that time.




The primordial establishment of Tiahuanaco as a ceremonial center possibly preceded the first egyptian dynasties in millennia. The historical records are much more restricted when compared with the egyptians.
Tiahuanaco, in its classical period, was a multicultural and multilingual center, but there are almost no written records.
It is interesting to observe that what could be found until now, the Fuente Magna and the Pokotia Monolith present inscriptions in proto-sumerian signs.
Any analysis of sites like Giza and Puma Punku / Tiahuanaco will fail inevitably if not considering the extraterrestrial component, since it would have to interpret erroneously the identifiable elements accepted by our "modern scientific paradigm".




It is uncertain what type of extraterrestrial construction there was once at Puma Punku. Only some parts were left in the area, much likely used in its support base and small adjacent installations. These existing remnants only shyly suggest the greatness of this structure, which was possibly removed millennia ago.



. . .

The so-called "Gate of the Sun", constructed from a single piece of stone at Tiahuanaco.  It is a finished structure not designed to be a physical entrance to a temple or another construction - the gate symbolizes a portal to our origins. Just like Tiahuanaco's essence, it was devoted to Orion.




The Staff God, depicted holding a pair of sticks or staffs parallel to the body, takes a central role in the gate and represents the constellation of Orion. This God was the supreme deity of the Andes, who, in the local ancient view, was responsible for the creation of the world. The two staffs, or the sitck and staff, are linked to the figurative disposition of the constellation as much as Enlil's crook and staff, Osiris' crook and flail, and biblical rod and staff.




There are several pre-inca versions of the Staff God, like the huari. The deity is represented frontally holding a staff at each side of the body, differently from the egyptian depiction of Orion "as Osiris", with the crook and flail usually held in both hands crossed on the chest.





The gate is covered in 48 engravings of winged effigies surrounding the central figure of the Staff God. There are 32 effigies with human faces, representing Orion, and 16 with falcon's heads, referencing to M42, the Orion Nebula (for more details please check in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42").




The effigy representing the constellation holds a staff parallel to the body with his front arm, the legs are partially open, like if the figure is moving, and the back arm is bent upward.




Orion depicted as the babylonian supreme God Marduk, egyptian Osiris and andean Staff God, following one same figurative pattern (for more details please check in addendums B- "Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System" and C- ""Kingdom in Heaven" x Interstellar Monarchy").




The effigy referencing to M42 keeps almost the same figurative disposal of Orion's except for the falcon's head facing upwards, following Orion Nebula's relative disposition regarding the constellation itself, as it would  be seen from Earth.




. . .

The sunken temple, also know as the templete, is the most astonishing structure in Tiahuanaco. The semi-subterranean temple measures ~26m x 28m in area and its walls are decorated with 175 different sculptures of human heads.  
In its centre there are three menhir-like monoliths that were clearly the object of worship. The heads look to the monoliths in the centre, as if they are in adoration of them.







The primordial major deity in andean cultures,  as mentioned above, was the Staff God. The deity is possibly the oldest representation of Orion as God. His depiction at Tiahuanaco, in the "Gate of the Sun", reports to the first period of the ceremonial center, and precedes by millennia any other of his representations, in a time when the extraterrestrial operation of Puma Punku was possibly still active.
After the "Gate of the Sun", the Staff God emerges in the chavin culture of northern Peru and re-appears in Tiahuanaco again as the bearded man, as well as in the Atacama desert.

The monolith representing the bearded man in the sunken temple refers to God Viracocha. It was added after the construction of the temple itself, possibly replacing a monolith dedicated to the original representation of the Staff God.
Viracocha, the great creator deity in the pre-inca and inca mythologies in the Andes region, is another version of the primordial andean God, and also represents our origins as Orion. He had many titles such as "Old Man of the Sky" and "Lord Instructor of the World". Other Gods were worshipped, but Viracocha emerged out of the polytheistic flux of ancient Peru as the supreme deity, similarly to the monolatrism of Marduk in Babylon.
In ancient inca poetry, there are several citations for Viracocha's supremacy.

"Oh creator, root of all, Viracocha, end of all, Lord in shining garments,
who infuses life and sets all things in order, saying, "Let there be man! Let there be woman!"
Molder, maker, to all things you have given life: watch over them, keep them living prosperously,
fortunately in safety and peace."

"Oh Lord, fortunate, happy, victorious Viracocha, merciful and compassionate toward the people:
Before you stand your servants and the poor to whom you have given life and put in their places:
Let them be happy and blessed with their children and descendants; let them not fall into veiled dangers
along the lonely road; let them live many years without weakening or loss, let them eat, let them drink."

"Lord Viracocha, who says, "Let there be day, let there be night!",
Who says, "Let there be dawn, let it grow light!",
Who makes the Sun, your son, move happy and blessed each day,
so that man whom you have made has light(...)"
The Sacred Hymns of Pachacutec



In ancient Babylon there were very few anthropomorphic representations of Marduk, invariably as a bearded man, and his triangular symbol, object of worship, represented the bottom half of Orion (for more details please check in addendum B).




It is no coincidence that the same symbolism can be seen at the centre of the sunken temple, to where the set of different human heads converge.




That's what the sunken temple's representation is about:




all humans having one same origin, Orion...



. . .

In "Artificial Cranial Deformation at Omo M10 Site: A Tiawanaku Complex From the Moquegua Valley, Peru", published in "Latina America Antiquity" (1995, vol. 6 number 2), by the Society for American Archeology, from the 33 skeletal remains used in the study, related to the M10 and M11 cemetery complexes of the Omo site group, corresponding to the Tiahuanaco occupation of the Moquegua Valley, 32 were deformed. All of these showed the effects of pressure mediated through either a singular rectangular pad or two pads placed bilaterally over the frontal bone, and post-coronal constriction, while 23 of the 32 showed evidence of a depressed posterior aspect of the sagittal suture.
The Tiahuanaco people deformed the heads during infancy using bandages and thin sheets of wood, marking individual identity as much as it indicated social status.





As mentioned in part 6- "The Triple Connection: Middle East, Atacama and Moon", elongated human skulls have been found not only near Tiahuanaco, extending to related cultures as the wancarani, but also to the south, in the region of San Pedro de Atacama, and to the west, at Paracas(2).






The proximity of these ancient civilizations with extraterrestrial humans in varying degrees over millennia resulted in the elongated skull's occurrences. The same phenomenon happened in many other regions on Earth, like in ancient Egypt and Mesopotamia (for more details please check in addendums A- "Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)" and  B).


(2) Credits to  Marcia K. Moore for the 3D renders.
. . .

The Nazca lines, a magnificent series of ancient geoglyphs located in southern Peru. They are primordially linked to the Puma Punku / Tiahuanaco complex while sharing the same extraterrestrial origin.




The so-called "astronaut" in Nazca - in fact only a minor part of a much more impressive geoglyph. The childish character is preceded by another figure waving.



- Click on the images to enlarge -



The depiction of the bearded shepherd, holding a crook with his left arm, protects the smaller and faceless humanoid being, enclosing him.




A similar symbolism can be found at the egyptian Temple of Edfu - the representation of Horus, referencing to Orion Nebula (for more details please check in part 9), encloses the standing human being.



. . .

As we demonstrated in addendum C, several major Gods over millennia, from different mythologies, were called "shepherds". This representation originates from Orion's primordial extraterrestrial portrait, based on the figurative disposition of the constellation as seen from Earth.

In the sacred hymns of Pachacutec (1438–1471/1472), the sapa inca of the kingdom of Cusco, which he transformed into the inca empire, it is said that Viracocha, the great creator deity in both pre-inca and inca mythologies, has "shepherded" his servants.

"My Viracocha, shine on your inca people, illuminate your servants, whom you have shepherded,
let them live happy and blessed, preserve them in peace(...)"


In the 7th tablet of the Enuma Elish, the babylonian creation myth, Marduk is the one who "may shepherd all the Gods like sheep".
And in "A Hymn to Marduk for Abi-Eshuh (Abi-Eshuh A)", An (Anu) "has bound to Marduk's hand the shepherd's crook", while Enlil "has fixed as Marduk's destiny kingship over the totality of heaven and Earth".

"May he (Marduk) establish the paths of the heavenly stars,
And may he shepherd all the Gods like sheep."

"He (An) has given you the supervision of great august commands
of heaven and Earth, he has bound to your hand the shepherd's crook
that curbs the foreign lands(...)
Enlil has fixed as your destiny kingship over the totality of heaven and Earth
and has relieved you of any rivals(...)."


There are several citations in the ancient mesopotamian literature describing An and Enlil as shepherds. Additionally, the staff and the crook are referred as divine tools.

"You are the light of the good shepherd Enlil, and you have been given a majestic name by Ninlil."
A Shir-Gida to Nuska (Nuska B)

"Enlil rejoices in your speech. Ninlil declares 'so be it' to your desires. Shepherd Enlil is your support."
A Praise Poem of Iddin-Dagan (Iddin-Dagan B)

"I am the lady, the youthful woman, the great strength of Enlil! I am the beautiful woman Nininsina, daughter of holy An!
My father An the king, shepherd of the gods, sat me in the Land on a holy dais."

A Shir-Gida to Nininsina (Nininsina A)

"Enki answered his daughter, holy Inana : ‘How have I disparaged you? Goddess, how have I disparaged you?(...)
I settled on you the staff and the crook, with the shepherd's stick beside them.’"

Enki and the World Order

"You have brought with you the noble sceptre, you have brought with you the staff and crook, you have brought with you the noble dress,
you have brought with you shepherdship, you have brought with you kingship."

Inana and Enki

"Enlil gave him a good name: 'A lion's seed, who provides the E-kur generously, the beloved one of Ninlil; the one granted authority
in the E-kur; the king of Urim, the one with shining heart, the shepherd, the protective genius of the Land.'(...)As the shepherd of all
the countries, Enlil leant the crook and the staff against his arm, and placed the immutable sceptre of Nanna in his hand; he made him raise
his head high, sitting on an unshakeable royal seat."

An Adab to Enlil for Šulgi (Šulgi G)


And in the bible, the Lord is the shepherd, whose rod and staff bring comfort. His throne is established "in the heavens".

"He blessed Joseph, and said, ‘The God before whom my fathers Abraham and Isaac walked, the God who has been my shepherd
all my life to this day.’"

Genesis 48:15

"‘As for you, My sheep, the sheep of My pasture, you are men, and I am your God’, declares the Lord God."
Ezekiel 34:31

"For you were continually straying like sheep, but now you have returned to the Shepherd and Guardian of your souls."
1 Peter 2:25

"The Lord is my shepherd; I shall not want. He makes me lie down in green pastures.
He leads me beside still waters. He restores my soul.
He leads me in paths of righteousness for his name's sake.
Even though I walk through the valley of the shadow of death,
I will fear no evil, for you are with me; your rod and your staff, they comfort me.(...)"

The 23rd Psalm

"The Lord has established His throne in the heavens, and His sovereignty rules over all."
The 103rd Psalm (19)

"Immediately I was in the Spirit; and behold, a throne was standing in heaven, and One sitting on the throne."
Revelation 4:2


In most cultures "the right hand" means strength and skill.  
The word dexterity comes from the latin word dexter, meaning "on the right side". The right hand symbolizes the place of righteousness and exaltation, and the meaning for "the left hand" can be the opposite, the place of curse and judgment. There are several examples of the use of these metaphors in the bible.

"At thy right hand there are pleasures for evermore"
The 16th Psalm (11)

"Thy right hand is full of righteousness"
The 48th Psalm (10)

"A wise man's heart is at his right hand; but a fool's heart at his left"
Ecclesiastes 10:2

"Then the King will say to those on his right, ‘Come, you who are blessed by my Father; take your inheritance,
the kingdom prepared for you since the creation of the world.’"
Matthew 25:34

"Then he will say to those on his left, ‘Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels.’"
Matthew 25:41


New testament passages make clear that Jesus sat down at the right hand of the throne of God in heaven, in the sense of having honor, glory and divine power.
It is plain then that the right hand is symbolic of authority and blessing.


"So then after the Lord had spoken unto them, he was received up into heaven, and sat on the right hand of God."
Mark 16:19


"Now the main point of what we are saying is this: we do have such a high priest, who sat down at the right hand of the throne of the Majesty in heaven(...)"
Hebrews 8:1


"(...)Christ Jesus who died — more than that, who was raised to life — is at the right hand of God and is also interceding for us."
Romans 8:34



Reiner Gamma's area, once more the phenomenal statue (~15Km height) depicting the Orionian King. The enormous structure where this statue is located is inlaid perpendicularly into the Moon, what means that the statue faces the space, not Moon's surface.

- Click on the images to enlarge -




     


The King is sitting at the right side from the throne's standpoint, and the left side to the viewer. Note that the King's depiction occupies only half of the throne, consequently the right part of it, from the viewpoint of a spectator, is empty. The symbolism speaks for itself and the passages of the bible mentioned above reference to it.






. . . .



"In their hearts humans plan their course, but the Lord establishes their steps."
"Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me."


Human self-determination, that is irreversibly tied to our cosmic evolution as species, shall be fully exercised as the way you mold your existence considering the good of the other human beings.



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PostSubject: Re: Nibiruans, divinity and the truth   Tue Oct 27, 2015 2:46 am

E- The Final Journey

E.1- The Lunar Path to the Afterlife

In the pyramid texts, the collection of ancient egyptian religious texts from the time of the old kingdom and focused on the pharaoh, the image of ascension dominates. The king is able to resurrect as Osiris and ascent to the sky. The coffin texts, which basically superseded the pyramid texts as magical funerary spells at the end of the old kingdom, are principally a middle kingdom phenomenon. In effect, they democratized the afterlife, eliminating the royal exclusivity of the pyramid texts.

Some coffins from the middle egyptian necropolis of Deir el-Bersha contain graphical representations of the realm of the afterlife, along with spells related to the journey of the deceased through the Duat. This collection, called "The Book of Two Ways", was the first example of an ancient egyptian map of the realm of the dead. This book is a precursor to the new kingdom books of the Duat as well as "The Book of the Dead", in which descriptions of the routes through the afterlife are a persistent theme. In addition to the Sun-God Ra (Re) and Osiris, "The Book of Two Ways" also prominently involves Thoth and Horus. The book received its name because of the two zigzag paths that form a kind of map for the use of the deceased.

In fact, the egyptian coffin, like the various objects included within the burial, the reliefs on the tomb walls and the tomb itself, acted like a surreal structure to transport the deceased at the moment of internment from this world to the afterlife. The journey is made through the sky, taking the departed on a journey to the kingdom of Osiris on a route with Ra, first from east to west along a waterway through the inner sky and then back again from west to east by land through the outer sky. Between them was a lake of flames, where the ambivalent fire could consume the damned, but could also serve the purpose of regeneration to those blessed followers of Ra.




The primordial representation of the lotus flower, linked to Osiris and the "sons of Horus", references to an extraterrestrial "marsh". Ancient egyptians differentiated the initial and wider part of the "bright duct" of Reiner Gamma of the upper middle part, which spreads tortuously by the lunar surface, calling the first one "marsh of reeds" and the other one "watercourse". Though not as emphatically, this differentiation can be also observed in the biblical text of Revelation 4:6, when mentioning the "sea of ​​glass", located "in front of the throne", and in Revelation 22:1 the "river of water of life, as clear as crystal, flowing from the throne of the God and of the Lamb" (please check below in parts E.2 and E.3).

According to the egyptian mythology, Osiris's throne is located over a "stream of water". The depiction of the "sons of Horus" on the lotus flower symbolizes the wider part of the duct of Reiner Gamma, and it draws a clear parallel with the "four living creatures" of the bible, in Revelation 4:6-8, located "in the center, around the throne" of God.
The four "sons of Horus" are humanoid representations with the heads of a baboon, a jackal, a falcon and a man, while in the bible they are described "like" an ox, a lion, a flying eagle and a man, each of them evidently in the way that could make more sense considering the terrestrial reality experienced by each civilization.
It is plain that the connection of the initial part of Reiner Gamma with a "marsh of reeds" comes from the Nile Delta, as seen from a low Earth orbit like in the image below, where in ancient times the cyperus papyrus or "paper reed" was widely cultivated.




In the bible we can find references that link the lotus plant with the reeds in a marsh and the reeds with the Nile.


"Under the lotus plants it lies, hidden among the reeds in the marsh."
Job 40:21

"But when she could hide him no longer, she got a papyrus basket for him and coated it with tar and pitch.
Then she placed the child in it and put it among the reeds along the bank of the Nile."

Exodus 2:3


There are citations in books dedicated to the egyptian mythology about the location of Osiris's throne over the waters of the net-asar, or "stream of Osiris", which corresponds in fact to the wider part of the bright duct of Reiner Gamma.


"The THIRD SECTION of the Tuat is called "Netnebuakheperaut," and is a continuation of the Kingdom of Osiris; in it is the
House of the Tet, wherein Osiris himself dwells. The Boat of Af Ra is escorted over the waters of the river Net-Asar by a number of boats
which are specially created by Osiris, and arrives at the head of the stream on which the throne of Osiris is placed."

The Papyrus of Ani, E.A. Wallis Budge, p. 143-144

"The abode of Osiris is situated on the NET-ASAR, i.e., the "Stream of Osiris," a name given to the river of the Tuat in the THIRD SECTION,
and it is at the head of this river that the throne of Osiris rests according to some copies of the Theban Recension of the Book of the Dead."

The Egyptian Heaven and Hell, E.A. Wallis Budge, p. 122

We can establish a parallel between the egyptian mythology, the bible and the lunar path to the afterlife, concerning the judgment of the dead by God. Generally speaking, in the egyptian mythology and biblical texts the good, or righteous ones, will be rewarded with eternal life.
The ancient egyptians believed that when they die they would be judged on their behavior during their lifetime before granting a place in the afterlife. This judgment was performed during a ceremony called "Weighing of the Heart".
The ceremony was believed to take place before the throne of Osiris. Note in the images below (the two first ones from the papyrus of Ani and the third one from the papyrus of Hunefer, all in the collection of the British Museum #EA10470,3 / EA10470,4 and EA9901,3) that the throne is depicted over a "marsh", symbolized by the lotus flower with the four "sons of Horus" on it, and that the proceedings were recorded by Thoth.
In ancient egyptian religious texts, Thoth is the Moon God par excellence. He appears as the Moon itself and, at the same time, as the protector of the Moon. In the light of frequent comments about the deity in the pyramid texts, it can be assumed that Thoth was an important deity in the old kingdom. During the same period, Thoth was incorporated into the solar theology along with Osiris. As result, he was often placed in juxtaposition to Ra.
The symbolic ritual was the weighing of the heart of the deceased on a pair of scales. It was weighed against the principle of truth and justice, known as maat. If the heart balanced against the feather then the deceased would be granted a place in the fields of Hetep and Iaru. If it was heavy with the weight of wrongdoings, the balance would sink and the heart would be grabbed and devoured by a beast who sat ready and waiting by the scales. The ancient egyptians considered the heart to be the center of the thought, memory and emotion and it was associated with the intellect and personality.
This figurative disposition of the judgment of the dead before the throne of God finds its parallel in the bible in Matthew 25:31-46, "The Sheep and the Goats", and is also connected to the lunar representation, as we demonstrate below in part E.3.





It's in details that the description contained in the bible of Reiner Gamma's area, based on human understanding of two thousand years ago, goes beyond that found in the ancient egyptian texts, since it reaches thoroughly the physical symbolism that was added to the power pyramid's structure.
This suggests that the author of the "Book of Revelation" was in fact an eyewitness of these lunar structures, as opposed to the egyptian royalty, most likely based on informations by extraterrestrial humans when creating their mythology (please check in addendum A- "Great Pyramid's" Capstone + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)").
We can cite as example the several references in the bible that Jesus sat at God's right hand, along the unequivocal expressions in Revelation 3:21 and 22:1 confirming that there is only one throne for the God and the Lamb, precisely what can be observed in the lunar representation of the King's throne (demonstrated in addendum D- "One Last Lunar Reflection").
Another interesting facet is related to the detailed portrayal of the four "creatures" located around the throne in Revelation 4:6-8. They are described as having wings, what can be confirmed by a meticulous analysis of the images from the area adjacent to the throne (please check below in part E.3).

The location of the throne, in the early part of the duct of Reiner Gamma, clearly symbolizes the reception of the King's figure into that operational structure.
While the egyptian mythology concentrates on the "watercourse" and the Eye of Horus (for more details check in parts 8- "Orion's Belt: The Egyptian Connection" and 9- "Oxib X'kub 'and Extraterrestrial Pyramids: Connection to Messier 42"), the biblical description focuses on the King's throne and the bright duct of Reiner Gamma, the "river of the water of life" or "living water".
The author of the "Book of Revelation" was careful while excluding any mention to Orion or the Eye of Horus. One thing would be to describe the monotheistic biblical God or Jesus also as a "shepherd", and another completely different would be adding Orion, an eye or a falcon into the context, considering the desired detachment at that time of any of the egyptian polytheistic Gods.

A fascinating aspect is related to the representation of Reiner Gamma according to the reality of each civilization - to the egyptian royalty, habitual navigators, the bright duct, making a parallel with the Nile, was divided into the "marsh of reeds" and the "watercourse", which could be navigated by the "solar boats", or "reed-floats of heaven", while in the biblical text it was essentially the "river of the water of life", satisfying the thirsty, "welling up to eternal life", consolidating in both cases extraordinary metaphors of the same energetic structure that is connected to the lunar power pyramid (for more details please check in addendum A).

In this sense, it is important to note that the Orionian King is intertwined with the constellation of Orion both in biblical terms as to the egyptians. Osiris was Orion personified in the figure of the King, and the biblical God refers simultaneously to Orion as shepherd and the King himself. The Orionian King then represents Orion as God for ancient egyptians and in the bible.

In part 7- "Pakal's Last Journey: The Mayan Connection", we focused on a set of geoglyphs on the Moon presenting the meeting between human mysticism, concerning the depiction of the stylized "spirits" that raise Pakal, and high technology, particularly represented by the zero gravity position of Pakal during his journey.
Using the highest technology through interstellar portals, the lunar power pyramid, located at the end of Reiner Gamma's bright duct, connects an extract of our existence on Earth that corresponds to our mystic concept of "soul", to the bottom half of Orion, humans' final destiny.






E.2- The Egyptian Emphasis: Watercourse and the Eye of Horus












E.3- The Biblical Emphasis: King's Throne and the Water of Life








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PostSubject: Re: Nibiruans, divinity and the truth   Wed Jan 27, 2016 2:46 am

F- Orion and Beyond: Reminiscences


"And the path of the journey of the Moon is for the righteous light but for the sinners; darkness."



Starting from addendum E- "The Final Journey", we demonstrate how the lunar power pyramid, or the "mountain of God", was described by different civilizations over millennia, while the egyptian and biblical portrayals of Reiner Gamma are notably cross-referenced by the ancient mesopotamian literature.



Reiner Gamma is the "soul" of the Paleolithic Nile, in the sense of being the extraterrestrial counterpart of the river during a phase in that period. This extraordinary reference clearly suggests that the primordial settlement of our creators on Earth was in the Nile area rather than in Mesopotamia, as most commonly discussed.



The increment of the cranial capacity when comparing H1s with H2s and finally Orionians leads not only to a natural increase of corporal height, but also to a higher "head x body" proportion.



The existence of an extraordinary representation, in one of the most obscure areas of our Moon, suggests that panspermia in conjunction with genetic manipulation might be the key to the development of other prevailing species in the universe, such as Orionians themselves.



We focus on Orion as humans' beginning and end, or our origin and final destiny, ultimately linking the Orionian King to our mystic concept of Celestial Father.


____________

The 16th and last chapter of "Nibiruans, divinity and the truth" is coming out soon.


_________________________________________________


Nibiruans, divinity and the truth


is dedicated to someone very special,


and in memory of
Padre Crespi, Stan Hall, Juan Moricz and Zecharia Sitchin





special thanks to
NASA, USGS and ESA



thanks to
Alexander at [ HumansAreFree.com ],
Ken at [ ZechariaSitchin.com ]
and Luke at [ GrahamHancock.com ]



also thanks to
all the truth seekers whose ideas helped us



team management by
thales


and much respect for all the inestimable contribution to
kane and pineal

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